Anna delvey movie serial#
It’s called The Son of Sam law because the first law of its type was after David Berkowitz was found to be notorious serial killer the “Son of Sam” in New York. The law is defined as having the aim to “prevent those accused or convicted of a crime from profiting from the commercial exploitation of their crimes by contracting for the production of books, movies, magazine articles, television shows and the like in which their crime is reenacted” or in which the “person’s thoughts, feelings, opinions or emotions” about the crime are shown. The money criminals make from their cases often comes from selling the rights to their “stories” to publishers, such as book and film deals. The Son of Sam law is also known as a notoriety-for-profit law or New York Executive Law Section 632a, and it stops criminals from being able to profit on the stories of their crimes. Shortly after Netflix acquired the rights to her story, The New York Attorney General’s office sued Anna Sorokin, citing the Son of Sam law. However, she didn’t run off with the rest and return to a glamorous life. She has also agreed to pay $70k in restitution to Citibank. She used $199k of the money from Netflix to pay restitution to banks and a further $24k to settle state fines. Anna was initially released from prison in February 2021, and the first thing she did was settle her debts. In 2019, Netflix paid Anna Delvey, real name Sorokin, $320k for the rights to her life story. Via Netflix Right, so was Anna Sorokin, or Anna Delvey, paid by Netflix for the rights to her story? There’s a law which has made Anna profiting from her case a bit of a sticky one. But, not all is as it seems regarding her pay. Now, Netflix has released Inventing Anna – a drama telling her story. She has since been released, but has found herself back in prison. Anna was convicted on multiple counts of attempted grand larceny, grand larceny and theft of services, for which she was sentenced to between four and 12 years imprisonment. In 2019, Anna Sorokin was found guilty of scamming New York’s social elite out of thousands of dollars by posing as the rich heiress. She became friends with celebrities and the rich and famous and managed to stay at the most luxury hotels on the scene – all without actually having the money she said she did. In New York in 2013, Anna Sorokin took the name Delvey and told people she was a wealthy German heiress sitting on a €60million (£52million) fortune.
Anna delvey movie series#
Anna Sorokin, or Anna Delvey, is no different – the con-woman agreed a fee to be paid by Netflix for the rights to her story in new series Inventing Anna. Who she is is up to the audience, and the only way to truly judge her is to do exactly what she wants –– by watching an actor play her on television.Whenever a true crime documentary or drama comes to Netflix, it begs the question of whether or not convicted criminals are gaining financially selling their stories of how they broke the law and became well known from doing so. Four years later, Shonda Rhimes’s miniseries is blissfully aware of the fact that her audience is playing right into Delvey’s scheming hand, soaking up every last bit of recognition and acknowledgement she can.ĭelvey is not a hero or a villain, neither a robber baron nor a Robin Hood. Subsequently, Netflix paid Sorokin $320,000 for the rights to her story. Jessica Pressler, the real-life journalist upon whom Vivian Kent is based, wrote a 2018 article in New York Magazine about Anna Sorokin. In almost every portrayal of fraudsters, the filmmakers omit the most critical component of what allowed them to succeed and, ultimately, made them famous: the storytelling. They do, though, have a story –– a story worth telling, a story people want to hear. Sitting in a room on Riker’s Island, neither Vivian Kent nor Anna Sorokin are in much of a position to do anything. With unsupportive superiors and an uncooperative subject, Kent promises Delvey the platform she truly desires, and a chance for both women to redeem themselves in the public eye emerges. With a career already in shambles and a baby on the way, the journalist risks her job in pursuit of a potentially groundbreaking American crime story. Vivian Kent, a writer for a fictional Manhattan magazine, comes across the story of Anna Delvey, who has recently been arrested and is facing several charges of fraud and larceny. In a compelling change of pace, Shonda Rhimes chose to put the focus of a fraud story on that of the people who told it, as opposed to those who conducted it.
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